Interview

I was interested in the medium. It was always about the medium. What should it be, what is? what is / cosa e - some pretension i acquired, one i wonʼt drop. because historically you wanted to know, and maybe you still do. probably. third year of university and Plathʼs strip tease, it got me. Pour me another cup of something, my throat, itʼs all this. these - iʼm answering questions. iʼm speaking your language. i will appeal. I think, I think, Nina Simone was talking- she wasnʼt speaking, well no, oranges from china/ easy peelers from Egypt, my friends laugh, the ones who are left. Lost. He told me it was his best, his best work- well how can you explain love to someone who has never been in it? you can tell them, but you canʼt, its impossible. I read it and I understand it. the whole spread pink and gold across the ceiling's sky and i saw through blue eyes. History reshaped. mine are hazel. I donʼt think you would. Weʼve never met under an umbrella, iʼve never fixed a hole in your shirt, socks, those shoes canʼt go there like that, there we go- i still care for you- all the homeless have them, they spin them on their fingers. It became popular on social media. I heard they stop children throwing stones in Gaza. i could tell you the origin, how far the strata grow, what the roots look like- that was for Veronica, she did it better than me, i do something else, do i? is this doing? another Liverpool woman, weʼve been special; not the men, small and desperate with medium-rare exception- itʼs not a case of stature; can I not talk about towers without people flinching, honestly it’s ridiculous. It was better when the rabidity was confined right and everyone else went to the cinema regularly -hated their personal lives, their loves were inconsequential, desperate, social climbing, unknown to intensities, here, in the South, as usual people do not say what they speak. I know philosophers who call people gypsies without a polite flinch. I heard a student say criticism unequivocally restricts artistic freedom. does this count as a report to the committee? Have you ever watched how itʼs made? it’s very conceptual. my brother is a child proper and he also enjoys knowing whatʼs inside a radiator. Like that Sainsburyʼs receipt in the Tate, very good you did a job, good. I mean, meanly, Iʼm calm, Iʼm fine. itʼs the age of the damn thing, the damn that stops the river. but fear death by water, clean your cups, count your blessings. hold your sword and wand. Get up in the morning and do the bloody thing, if you have to. itʼs just important to do it. isnʼt it? i am in love, beyond shores, familially and unknown pleasures - honest, astonished still reeling, rope around my waist, out the window, hanging on, burning every night, how did we ever not have this. This was supposed to be something else; I was supposed to have an idea. If your aim is appeal, undress the damn fruit. burst if you want to sing it- I tell you freely - I made a diagonal accidentally. I think I might lie at your feet. Iʼm sick of twisting, my temperature is normal, inshallah it will increase and so a reason- reason for women, essential. how can one write the word man without exposing the hollow centre of a ring, the damn thing. those who do it have decided it is uncouth i decide without grievance its neither for sport nor

gold there are two shadows and three walking/ maybe more / if u close the door there are still reams of the thing outside. i like his knowledge. heʼs my friend, a beauty - he speaks certainly. his hands remind me of my motherʼs fatherʼs. i will give him what i can. the most important. purity, there is, it exists, lapis lazuli, whereas here answer what they call in academies. a propriate medium for this can you say that of this if is the century